I Lived by OneRepublic (Review)

Review of I Lived by OneRepublic

Colorado born pop rock band OneRepublic burst on to the music scene in 2002, quickly gaining commercial success with the help of MySpace, an avid fan base, wildly popular music and not much else. Without the help of labels and industry folk alike the group built themselves an empire which still stands strong today.

Review of OneRepublic I Lived

Review of OneRepublic I Lived

Last year they unleashed their album Native which contained the monster track Counting Stars – a song which shot them back in to the public eye and became their most successful release to date. With the album itself being a plethora of quality writing both musically and lyrically, no one was quite sure which track would be chosen to follow up the unforgettable Counting Stars.

I Lived is nothing but deserving of a spotlight of its own. Not only is it one of the most contemporary tracks of the year but the message behind it is one that many artists try to put across in many different ways. Beautiful, simple and to the point – I Lived is one of the most soul searching and uplifting songs I’ve ever come across.

A slow an easy start the track slips from the speakers like warm honey, sweet and soothing to even the most hardened ear. Simple acoustic melodies float over perfect vocals, rolling in to a steady build up to the chorus which in itself is massive. “I, I did it all. I owned every second that this world could give I saw so many places the things that I did. Yeah, with every broken bone I swear I lived.” The statement behind those lyrics is huge and so personal to each individual. We’ve all got our own definition of living and this song, these lyrics, push that idea even further. It encourages it to take the pain, the doubt and all those dark areas of life and embrace them, let them make the beautiful moments even more colourful.

Currently on the last leg of their European tour before hopping back across the pond, OneRepublic promise more great things and even more memorable music. We look forward to every note.   

Review by Hev Bailey

Umi by PinkShinyUltraBlast (Review)

Review of Umi by PinkShinyUltraBlast

This new release due November 10th from St. Petersburg, Russian band PinkShinyUltraBlast, is for me at the coherent end of the shoegazing spectrum. There lies within this track another tune along its sea bed of dream pop. You will only need to dive a little way down through the noise to hear it as the usual cacophony sound of shoegazing has been loosened up on this one and it’s wonderful. Umi, is the band’s first release from their debut album Everything Else Matters which is due out in January.

Review of Umi by Pinkshinyultrablast

Review of Umi by Pinkshinyultrablast

The name PinkShinyUltraBlast is taken from that Astrobrite album title which was released back in 2005. I’ve listened to PinkShinyUltraBlast’s 2009 EP, Happy Songs For Happy Zombies. On it I could hear the Astrobrite influence for sure and could draw comparisons straightaway with My Bloody Valentine. There lies within this EP, ultra-fast guitar playing with distortion and incredibly delicate vocals. Deerland is magnificently steeped in reverb and if you like your Eagulls then I think that you will find this material interesting.

So, getting down to this track, Umi and as a result of my online research for the meaning of the word I found out that it is in fact Japanese for sea or ocean. In Arabic it means mother and in Egyptian, a person’s name meaning life. All of this tallies up with the visuals for Umi.

The fading in and out of imagery, the overlapping of it, the flow and the colours used in the visuals suit this intriguing sound created by PinkShinyUltraBlast. The drumming! The drumming in this is the driving force which is not by default the direction in which shoegazing normally takes and I like it. You get the feeling that this band is up to something and may in fact be on course to instigating a new subdivision of shoegazing. Who knows?

Umi is orchestral almost, the vocals ascending above the guitar’s position in this composition which is taking direction from the drumming. It’s melodic, ambient and oh so very cool. While listening and watching the video at around the 1:50 mark and again at 3:40 I can almost hear U2’s the Edge playing and the lyrics “It’s a beautiful day. Sky falls you feel like…” Am I imagining this? What’s going on here with this band?

Reading up on what to expect from their new album scheduled for release in January, reports are along the lines that if you’re a Slowdive or Lush fan then you will most definitely find this band interesting. I managed to get a listen to two more tracks off it, Glitter and Metamorphosis. Between both tracks there is a psychedelic edge with a dash of grunge and for some reason listening to them put me in mind of Operentzia, a Hungarian band I came across whilst visiting Budapest this year. I kid you not.

This band, PinkShinyUltraBlast, I’m telling you, is up to something so keep your eyes peeled on musiceyz and we’ll keep you informed on what’s happening with this outfit.

Review by Nicola Timmons

What Do I Wear?

What Do I Wear?

There is a question that has plagued mankind since the dawn of its existence, a question which can be heard on the lips of every human being each morning, each evening, each social event and every day trip. In all weather, time zones, social classes and situations there is a question we all utter, moan, cry, scream and emphasise. In front of mirrors, in changing rooms, rifling through wardrobes, drawers and laundry piles this question, when spoken, seems so seemingly unanswerable.

What Do I Wear?

What Do I Wear?

“What do I wear?”

Through time and generation and the evolution of the weekend there has come along another question which seems to haunt us just as much as the first.

“What shall I listen to?”

At first glance these questions may seem unrelated, but with a head tilt and a pondering gaze it doesn’t take much cognitive function to realise that two subjects have never been so closely related. In truth, music and fashion have been wondering hand in hand around mankind since we first crawled out of the water and towards a reflective surface. It’s all about expression, about how we feel and how we want the world to see us. Music and fashion are two of the biggest forms of expression we have. We’re a rather emotional species, many of us choosing to wear our hearts on our sleeves, collars, cuffs and every other aspect of our outfit. It’s incredibly personal and yet universally shared, what’s going on our bodies and in to our ears is something we take as great importance, even if we don’t necessarily realise so at first.

We spend the first few years of our lives under someone else’s control. We are dressed and we are put in to an environment that we can’t do anything about. We’re around others music tastes and forced in to their fashion sense. As time goes on, as we crawl on grow and develop our own tastes, opinions and understanding of ourselves we either take influence from those around us or rebel against it – and then life happens. We get friends and more friends, we have lovers and losers and everything in between. We feel things for the first time and the second time and the third time, we swear never to feel things again and chase after feelings with all the energy we can muster. In short – we become who we are now, and all those things, all those feelings and people and situations and everything else that’s happened in our lifetime have influenced these two major aspects of our lives.

Think about it. Think about that boyfriend or girlfriend from x amount of years ago. Think of the songs they listened to, think of what they wore. Think of your school friends. Think of your best friend. Think of your ex friends. Think of the people who broke your heart. Think of your mother. Their life, their journey and the people throughout will have influenced them and their music and their style and in turn in entering your life, they have influenced yours whether it be positive or negative.

It’s not just on a personal level but also on a global scale. With every generation, every decade there has been a new movement with its own soundtrack and wardrobe to match. In every aspect the world went through major changes in the 20th century, music, fashion, social, culture, and technology – we strode through those hundred years getting bolder with each step. The 20th century revolutionised us in both fashion and music, the last half of the century making the two subjects practically inseparable and one always a heavy influence on the other. The swinging sixties, the rebellious seventies, the electronic eighties and the grunge/hip hop nineties are the biggest times when music and fashion mixed to each create their own cultures and subcultures. Our fashion and music sense became not just a choice but a way of life and a state of mind.

It’s the youth in us that grabs on to these movements with both hands and hangs on tight, rides it until the wheels fall off and then take only what we’ve managed to keep a hold of in to adulthood. In each of these important decades it’s the teenagers that have developed and carried the movements through both fashion and music wise, like the kids of the 90’s with either long hair, shorts and Nirvana t-shirts or woollen hats, baggy jeans and excessive gold jewellery. The American malls of the 80’s filled with big hair and shoulders pads and Walkman’s blasting the latest Madonna or Michael Jackson.

No other decade had a clash quite like that of the 60’s with infamous feud between the mods and rockers. These two groups of youths each had their own way of life and fought constantly causing them to be referred to by society as the folk devils. Rockers listened to 1950’s rock and roll and dressed in ripped jeans and leather jackets, whereas Mods listened to music of the 1960’s including ska, rhythm and blues and soul and prided themselves in their trench coats, skinny trousers and pops of bright blue, white and red. The two rode around on motorcycles (rockers) and scooters (mods) and often clashed violently – and even though this era, like so many others, appears to be long gone its fashion and music is still lingering on today.

Being the nostalgic species we are, we’ve kept the best (and sometimes the worst) from these times whilst continuously inventing new ones – every season a new look, a new item, a new movement and sound. We cram what used to take us years in to seasonal changes, and we just keep getting better at it. The high street is filled with whispers from decades long gone as we rehash the past and put a brand new spin on things.

Examples of this are all too easy to find, and it’s not long before you come across pieces such as this – the Harrington jacket by Adaptor Clothing. The pop of solid colour, the fit, the feel – everything from cuff to collar is such a statement of mod you can practically hear the rattling engine of a 60’s scooter. This is just one of many pieces in their ever growing collection which will have you yearning for a simpler time and a bolder sense of style.

Adaptor Clothing Harrington Jacket Stone

Adaptor Clothing Harrington Jacket Stone

At Boohoo there’s a plethora of the latest fashion, including the relatively new craze of the slogan t-shirt. In particular the Amy Brooklyn Slash Neck Slogan Tee gives off those late 80’s/early 90’s hip hop vibes left right and centre. The loose, slouching fit and the large bold font are such classic elements of this time in fashion and music that they’re still relevant and fresh today.

Amy Brooklyn Slash Tee at boohoo

Amy Brooklyn Slash Tee at boohoo

UK clothing company Hell Bunny are renowned for their take on that classic 50’s style. Their Cannes 50’s Dress is the picture of Rockerbilly, from the puffed out skirt perfect for swinging and shaking to that dipping sweetheart neckline, definite to entice any bad boy off his motorcycle and in to your vicinity. It’s such a statement dress that is sure to have you reaching for your kitten heals and record player – ready to jive along to the latest Elvis and the likes.

The relationship we have to music and fashion is a strong one that only seems to get stronger with time. It’s easy to see how one has influenced the other throughout the evolution of our cultures and how, in turn, this has helped to shape us as individuals. With the world ever changing through conflict, socialisation, technology and all that surrounds us – much and fashion remain those two entities that soak up all the chaos and beauty of the world and reflect the human race in such a personal yet global sense.

By Hev Bailey

Big Fat Lie by Nicole Scherzinger (Album Review)

Review of Big Fat Lie by Nicole Scherzinger

So Nicole Scherzinger has decided to live the more recent years of her eventful life in the public eye.  Rumours abound relating to her on -off and back on again relationship with F1 driver Lewis Hamilton haven’t helped. Although it seems this is finally one constant in her life.

Review of Nicole Scherzinger new album Big Fat Lie

Review of Nicole Scherzinger new album Big Fat Lie

She has also had a pretty mixed experience in her short spell as an X Factor judge, which in all fairness is pretty much forgotten now that Mel B and of course Cheryl are on the panel.  The most memorable element of her reign as a judge was those unusual combo words, such as stemming and of course her questionable states of soberness on the live shows.

As her music career appeared to fade following her start as a Pussycat Doll and an OK reaction to her solo career, Scherzy seemed intent on selling herself with any brand tie up.  Her questionable range with a fashion retailer and of course the high profile yoghurt commercials haven’t really done anything to endorse her as a serious or credible artist.

Most recently she has made some revelations about her personal life, including her struggle with bulimia.  This is probably the most admirable action she has undertaken and if her story can help even one person struggling with similar issues, she has redeemed herself for everything else.

Her latest solo album is entitled Big Fat Lie.  Now I hope for everyone’s benefit that the title isn’t linked to any of the previous paragraph.  I am sure it isn’t but the confessional nature of the album is hard to believe, entertain or even slightly buy in to given the title.

Scherzy has teamed up with some pretty major names to produce this album.  The Dream and Tricky Stewart are up there in the credits.  They undoubtedly need no introduction for most readers, however for those that don’t know, they have the likes of Rihanna’s Umbrella and seminal RnB track Single Ladies by Beyonce on their credits.

Whilst their are hints of this expertise on the album with some upbeat pop/RnB undertones, the album feels a little disjointed and perhaps lacking any real direction.  Like many pop albums it feels like just a collection of tracks and it definitely feels like the duo of The Dream and Tricky Stewart may have had external influences to deal with rather than to embrace.

That being said encouraging moments on the album include Your Love which is a pop track with dance influences.  There is also a funk enthused track called Electric Blue which certainly has a resemblance to an early Janet Jackson sound.

Sadly, those are probably the only tracks worthy of mention.  As a collection of tracks the range is definitely mixed and range from what can be politely described as disappointing all the way through the heights of OK.

Maybe the title is slightly responsible for my perception of the content of this album.  But as a listener, you fail to connect or even care about the twee confessional that Nicole Scherzinger delivers.  Her vocals don’t feel particularly strong, the lyrics aren’t really compelling or challenging to the listener and despite the expert production team, it too often falls down on the quality of the music as well.

All in all, not a good effort.  So on that basis Scherzy, stick to selling the dubious dairy products and we wish you well.

The Nomina by Simon Hinter (EP Review)

Review of The Nomina EP by Simon Hinter

Simon Hinter is a German House producer signed to U.K label Tenth Circle records. This is his first offering with them. He has previously released work on PHIL, Midnight Shift, Amajin Records and Luv Unlimited.  His most acknowledged work (to my knowledge) prior to now is his Better Life EP produced while he was on PHIL Records in 2011.

Simon Hinter - Nomina EP Review

Simon Hinter – Nomina EP Review

There are three tracks on the EP.




I shall look at each track individually and then share my opinion on the entire EP ☺

Track 1.

Regenmacher is a German word which means rain maker. This track aptly starts with cymbals and percussion expertly blended with soothing melodic sounds and subtle changes in the arrangement, forming a sort of ‘sound painting’ where the listener begins to feel as though they were indeed immersed in a blissful warm summer rain.

This track can do anything really. Be a lover’s backing track, be a silent disco track or more importantly, save the world one ear at a time.

Track 2.

I have instinctively called this track Attention Deficiency and Hyperactivity Syndrome. (I realised on trying to crack the code behind each title that the ‘d’ was replaced with an ‘s’) This probably is to hint that shifting from one seemingly normal state of being or style of music in this case, in one track may be different but it is not necessarily wrong.  The addition of different percussions and the Brass horn effect midway, did not ruin the sound but accentuated the originality of the track and the work as a whole. Top notch mellow club jam.

Track 3

Cop has a story woven into it. This takes us back to Soho of long ago or indeed any known club or district in the world as we know it and how the law tries to catch up with drug dealers who have met their end as their leader has killed them all There are also undertones of racism and other ills thrown into the conversation within the track but the track is filled with groovy house music to show us that even within social chaos, Music is king.

This is the deepest of the three tracks for me.

This EP is a fave here.

I’d happily give it a 6. For effort. And infinity for delivery.

With Nomina EP, Simon has deed told us that his nomen is Genius!

*(Yes nomina is a word that is plural for name in Latin)

Review by Nathalie da_sweetthin Wemambu 

Sweet Talker by Jessie J (Album Review)

Review of Sweet Talker by Jessie J

So its no secret that over the years we haven’t been the biggest supporters of Jessie J.  From criticising her over treatment of the contestants she mentored on the voice to general dislike for her music and public persona.  But give credit where its due, we have complimented a couple of times where its due.  Sadly the arrogance of the girl sometimes leaves that sour taste that you can’t shake.

So we enter the task of reviewing Sweet Talker, Jessie J’s latest and third album with an open mind. 

Review of Sweet Talker by Jessie J

Review of Sweet Talker by Jessie J

Jumping straight in with the title track Sweet Talker.  Jessie immediately jumps in with the line “I can play this game with my eyes closed” – OK so this feels like arrogance right away.  The line is actually referring to her prowess as a seductress (I will leave you to decide on that one), but I just can’t shake the feeling there is a heavily disguised harp back to previous boasts.

So Jessie J wouldn’t come last in a confidence race, lets get this out of my system.  What is the album actually like? (I am trying)

Jessie J has in the past explored an RnB flavour to her music and also delved in to mainstream pop.  Her head always seems to be in RnB though and trying to gain an urban flavour to her music.  Sadly, whilst the lyrical content of Sweet Talker is akin to an RnB album, the sound isn’t.

Jessie J for all my previous criticism does carry her voice well on delivering the vocals on the album, with just a couple of minor hiccups along the way.  The one criticism I would have is the fact that she genuinely belts out the lyrics on every song.  Her powerful voice seems to have got extra volume and she is attempting to prove herself as a bit of a songstress.  Almost to the lengths that she is trying to hard to prove herself (a bit like a contestant on awful TV talent show The Voice).

With this in mind, listening to the album in its entirety becomes a bit of a challenge.  This sounds really negative and I suppose in a small way it is.  However, hidden in there is also a compliment.  She has delivered such loud and strong vocals you just can’t sit through that much in one sitting.  Its a bit like going to a kids party when you are 7.  The jelly and ice cream is lovely and you tuck in.  But in your excitement you get a bit of an ice cream headache by having too much too soon.  If you are really crazy you have too much jelly and the ride home becomes wholly unpleasant.

Well, this might just be a first, Jessie J being compared to jelly and ice cream and having the ability to induce ice cream headaches.

Back on track now.  The album is good, but the vocals can be too much.  This is especially prevalent in Get Away.  The track feels like it could be a nice stripped back, acoustic piano track (I know it isn’t), but even on this she cannot resist the urge to show us all how good she is.  A similar observation could be directed towards her on ballad Personal Update.

I mentioned my observation of Jessie J’s incredible confidence.  This is actually displayed on the opening track with the line “I’m a do it like it aint been done”.  You could argue she is just saying she is raising her game.  However it is more likely to be a slight at her section in pop/RnB and could be taken as a dig at the likes of commercial rivals Katy Perry and Rihanna.

There are a couple of genuine highlights though with collaborations including an appearance from one my favourite hip hop acts of all-time De La Soul.  Obviously the current hit Bang Bang which features Nicki Minaj and Ariana Grande is a genuine banger.  In all fairness, Bang Bang is much more than just an attention grabbing stunt that utilises the profile of two of the biggest names at the moment.  It is a classic marriage between RnB and Hip Hop.  Definitely the highlight of the album.

Overall, there are moments of magic, moments of good and and an undertone of its OK.  Trust me, this is good for us on Jessie J.  The album feels overly commercial with too much synth pop backing.  It is obviously created to help break the US, which you can’t blame Jessie for.  It is too much for one sitting though.

The tracks are obviously created for live performances as well, where Jessie can belt out those vocals to her hearts content.  I hope she has good medical insurance, because if she does too many legs, that poor throat of her’s will need help.

Jessie J will have success on this album.  Whether or not it is as big as her monster debut remains to be seen.  But Jessie J, fair play, a decent album with some genuine highlights.

Ride by Vixen Fox ft S.E.F. (Review)

Review of Ride by Vixen Fox ft S.E.F.

As regular readers of this blog and our many thousands of Twitter follower will be aware, we get asked to look at loads of music.  We particularly seem to get asked to listen to small Hip Hop acts, that have blatantly decided to knock a couple of bars together in their room and say its a single.  Well another thing our regulars will be aware of, is that we don’t knock acts that haven’t made it, we just don’t cover it at all.

So, with the prelude, you can probably tell that there is something about Ride by Vixen Fox that we like, otherwise, it wouldn’t be here.

Review of Ride by Vixen Fox

Review of Ride by Vixen Fox

Well there is.  The female rap by Vixen Fox, whilst seemingly in need of some treatment to lift it, is really strong.  Vixen Fox has a real old school type of vibe in her delivery.  There are very slight hints of a Missy Elliot influence.  S.E.F. brings a husky type break from the main lyrical flow, which definitely adds to it.

The beats and backing track do have an electric influence to them.  Unlike many of its contemporaries the track doesn’t blur in to an EDM or dance track though.  It feels raw and true to its Hip Hop roots.  The meaning of the lyrics and sentiment of the story doesn’t really inspire the listener, but hey who cares.

Tight rap, good production and an interesting collaboration partner, means Ride by Vixen Fox is a quality listen.  Can’t wait to hear more from the girl.


Punk – Where’s It At?

Punk – Where’s it at?

Putting away my second hand punk jacket for the winter this week, I remembered reading an article in the Sunday Times’ Style magazine a few weeks back on Vivienne Westwood, Malcolm McLaren and the supposedly “dawn of the punk revolution” that occurred at 21 Thurleigh Court. It got me thinking, where’s punk at now? Who is shouting off about what?

Punk Jacket

Punk Jacket

From an Irish perspective we’ve seen 6 years of recession but I haven’t heard about any artist throwing down their instruments and marching to the doors of the Dáil, videos of them rioting outside, denouncing the government and its failings. Then again, that may be mostly down to a cultural thing with us Irish in my opinion. We got into a lot of mess throughout the centuries because we tend to lean towards having an “auld” moan under our breath and like with the “Keep Calm” slogan, we’ve been saying “Feck it, sure it’s grand” for hundreds of years now.

However, for a small island we have managed to produce some internationally renowned outspoken characters in the music business. Take the blunt statement making and enraging Bob Geldof. The seemingly “charm the pants of ya” politically connected Bono. Collectively, both men have been working on issues such as Third World debt, famine, AIDs, Fair Trade, fathers’ custody rights etc to name but a few for years. Punk rock and post punk dudes believe it or not, who started out in an era when musicians made poignant statements particularly on matters relating to important political issues.
I read a blog post only this week on “Just A Thought: What Ever Happened To Protest/Political Music?” which I think is worth a read. Here’s the link  )

In that article the writer states and questions the following:

“It can’t be that people are happier than when the punk movement commenced in the 70s or when people wanted peace in the 60s. I mean, look at this year alone, we’ve had the Ukraine/Russia conflict; the Gaza/Israel conflict; the ongoing Conflict with IS; Scotland wanting Independence; The constant threat from North Korea; Protests are recently starting in Hong Kong, and feminism is on the rise again due to the fact that in 2014, men and women still aren’t treated equally. What have we had from the music world in terms of discontent for any of this? Not a lot, especially in more popular music.”

Spot on. Who is raging against the machine now?

“Do you personally connect with any of the protest that you can find at the minute?”

For a few moments I wondered, that with all of the media that has been available to us since the late 70s, harrowing human experiences coupled with disturbing images that have been delivered to us from around the world which, before our time wouldn’t have made it out there at all, that perhaps we have become desensitised to human suffering and injustice? Perhaps we have chosen instead to switch off as a coping mechanism from this information overload? I have heard people say that they have chosen to switch off from the news as it affects their mood and that they get down because of it but here’s the thing, why not get enraged by it?

Am I wrong and there is plenty of music out there standing for something that isn‘t too vague? Let me know.”

Yeah, good question. Anyone out there listening to bands that are making a strong stance on important issues please let us know. We’d love to hear from you and would be happy to pass on the information we get from you to the writer of this article.

Going back to the 70s now for a bit and from a fashion point of view Vivienne Westwood was stitching an image onto this music revolution of politically outspoken characters not concerned about being liked but more concerned about getting their opinions heard. Have you ever gone on a Sex Pistols style rampage, where the air was blue around you, venting whatever the fu*ck was pi&#ing you off at the time? No? That’s sad. You should try it out. It’s great craic (as long as you apologise afterwards of course especially if the person you’re venting to has a heart problem) but it’s a brilliant anti stress method, clears any stale air and gets your thoughts out there instead of festering and rotting away. To be honest, I love to hear a good blow out from someone. “Feel better now?”good and only then when the issue has been raised can something be done about it. Moaning under your breath and keeping shtum on matters ain’t gonna cut the mustard if you want change to happen in my book.
Oh some will argue with that and will only go the softly discussion route which I agree, there is value in that too but there must be room to vent. There is this perception that venting is chaotic and shows loss of control when in actual fact, venting is a very powerful tool for re-organising thoughts which have become chaotic. It is a process by which any character is guaranteed to regain control at the other end of it and as portrayed in the “King’s Speech” movie, if it was good enough for Bertie then by God, it’s good enough for me.

To me where the Sex Pistols were most influential was in making strong political statements and bringing underground issues to the surface, The Clash for making outstanding music and their sound has been everywhere since. Punk did a lot of the groundwork for paving a way for alternative music and The Clash influenced so much sound since hanging up their instruments back in ’86.

So, from a punk musical element and most notably for me the bands that caught my attention this year are the Eagulls from Leeds, Sisteray from London and Blood or Whiskey from Kildare/Dublin. All bands have a different style of playing. The Eagulls being more on the punk side leading into the post punk era; Sisteray being more on the post punk side leading into alternative and Blood or Whiskey giving it a lash with dub and Celtic sounding ska Punk.

I saw the Eagulls play a superbly fast punk sound earlier this year when they supported Franz Ferdinand, at Dublin’s Olympia and they were your unassuming, shy punk outfit. There was no spit and fire from the vocalist yet his lyrics would cut and his voice was haunting, melancholic and aggressive which had me spell bound and I latched onto it straight away. Soulless Youth, Possessed, Hollow Visions, all brilliant tracks from their self titled debut album out since March of this year.

I came across Sisteray on Twitter and I made the Joy Division connection almost straight away. These lads are great. I absolutely love She Likes the Drama from their same title EP. I love the deep controlled vocals against that upbeat drum driven beat and delicious amount of guitar they’ve got going on. Seriously, those lads are really worth a listen.

With Blood or Whiskey’s fast paced punk I am reminded of The Clash at times. It was no surprise to me to see that they were touring with Boston’s Dropkick Murphy‘s just recently. I always smile when I hear that up-tempo strong Celtic vibe mixed with ska punk. Lyrically I love Blood or Whiskey. They cover emigration and recession issues and fair play to yez lads.

Finally, what about the get up of the hardcore punk fan? I guess you’re not going to find that style in its entirety anymore. Safety pins, tattoos, body piercings, doc martins, strong eyeliner, harsh lipstick, crew cuts and spiky hair, strong statement making t-shirts and rips in clothes etc As a modern society we have embraced each element of the Vivienne Westwood autumn/winter, spring/summer collections to a degree but not since the early 80s have you seen gangs of youths with each member sporting all of those elements I listed, in just one standing. The punk image as we knew it has vanished from our streets.

This weekend I passed a girl in a shop and her hair was spiked with a strong glow of pink going through it but her makeup was soft, there was no piercing in the lip, no docs, no safety pins and for a split moment I went “Aww” as I was disappointed. I’m sure she’s a lovely girl but I was still disappointed by her not going for the complete look. Maybe she wasn’t a punk and if that’s the case it goes to show how strongly influential the fashion was back then if styles are still working off the fumes of its exhaust pipe.

From a music perspective we don’t really spit in the face of political upheaval. It’s a shame really. I like to see anger, frustration and aggression (control regained afterwards mind) surface in someone’s demeanour. There’s a strong force and honesty attached to it and it keeps things real. The rebel image has gone but I do hope that one day it comes back into fashion.

Take it away lads… http://youtu.be/gJK7KDS8nLg



By Nicola Timmons

Stay Glued by Audiojack (Review)

Review of Audiojack – Stay Glued (The 2014 mixes)

Audiojack is an English electronic duo who met in Ibiza ten years ago. They presently play live on Ibiza Sonica Saturday’s @ 6pm CET and have been responsible for such electro movers as:

  • Polka dot dress
  • Get Serious
  • Night watch, just to name a few.
Review of Audiojack

Review of Audiojack

The guys have recently redone the mixes for the above track in the same order in which they were done two years ago when they were first released to us. This in turn means that Zombie Disco has also been working on his mix again among others! :D
Before you begin to listen to the new mixes, you could just sit back and listen to the original set from 2012, just to get into the groove of Techno-house if you are unfamiliar with it.
“Catchy, jazz-infused house music with a range of urban-techno vibes thrown into the mix” is what I concluded when I played them again this morning. (I haven’t been a morning girl of late, so you can tindeed they are phenomenal.)
Although I (and everyone here at music eyz no doubt) love all the mixes, I have a really soft spot for the Zombie Disco rework. The London DJ’s rework is energetic and catchy. He took just a snippet of the original vocal, cutting and pasting it in and out of the mix, it may still sound a tad minor (yeah moody is not quite the word) but it keeps it’s tech /electro edge, and is layered with a 4/4 bassline which combine makes the music easy to move to, in typical House fashion.
This is not to say that the other mixes lack technical and stylistic greatness though. Let me show you what we (yes I got some help) have discovered. ☺
Sebo K’s rework is mainly progressive house. It puts my theory of “Do things with your sound” into work. Same Tech beat, jazz-pop infusions. Result? Greatness.
FCL’s adaptation fuses many elements of music together. I actually saw myself dancing to some other things in my head at a point. (Deja-vu by Beyoncé anyone?)
Gorge’s edit transformed the track indeed, by the addition of a heavier bassline it morphs into a track in the deep house genre. Definitely a track for the indoor chill or house-party.
Final verdict:
Play the mixes. Share the mixes. Jam the mixes. #Stayglued to the mixes!
Ff @weareaudiojack

Review by Nathalie da_sweetthin Wemambu, 

D.W.I.D. by Dream Mclean ft Professor Green and Cas (Review)

Review of D.W.I.D. by Dream Mclean ft Professor Green and Cas

So first off D.W.I.D. is short for Do What I Do? Thats any confusion out of the way, so what is the track like?  All three rappers have a pretty dark style right?  So surely a track with all three together will be as dark as a total eclipse right?

Well rest safe lovely readers.  The track is pretty dark and none of the three rappers compromise their style.  There is an eerie electric vibe to the music as well with some blurred sounds going on.  Very basic beats add to the dark sound as well.

Review of DWID by Dream Mclean ft Professor Green and Cas

Review of DWID by Dream Mclean ft Professor Green and Cas

D.W.I.D. is the lead track from Dream Mclean‘s latest project Greyscale.  This is a follow up to his massive debut Weatherman.  Its a genuine hard-hitting track.  In a bit of tongue in cheek rap combat, the three really enhance each other and work in a real cohesive unit.

The slightly tongue-in-cheek context of the verses, somehow contradicts the dark style of Mclean, Prof Green and Cas.  Cas closes the track off with a brilliant growl.  The battle commences with Dream Mclean dissing the white girls in his pool, stating that they look like “noodles in soup”.  Professor Green doesn’t take kindly to this and doesn’t mix his words or feeling in his response.

The PC among you will slam the track for its light passive racism and overtly sexist lyrics.  The intelligent among you will see its all done in good fun and the result is a quality modern and fun UK rap track.  If this is what is to come from Dream Mclean, we can’t wait to hear more.